Publikationsliste

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2013

The Spatial Sound Description Interchange Format: Principles, Specification, and Examples

Nils Peters, Trond Lossius, Jan C. Schacher

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2013

The Quarterstaff, a Gestural Sensor Instrument

Jan C. Schacher

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2013

Hybrid Musicianship - Teaching Gestural Interaction with Traditional and Digital Instruments

Jan C. Schacher

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2013

Actuated Matter

Karmen Franinovic, Manuel Kretzer, Daniel Bisig et al.

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2012

STOCOS - Dance in a Synergistic Environment

Daniel Bisig, Pablo Palacio

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2012

Kunst und Künstliches Leben - zwischen Autonomie und Interaktion

Daniel Bisig

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2012

Tools and Abstractions for Swarm based Music and Art

Daniel Bisig, Philippe Kocher

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2012

SpatDIF: Principles, Specification, and Examples

Nils Peters, Trond Lossius, Jan C. Schacher

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2012

The Body in Electronic Music Performance

Jan C. Schacher

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2012

Rhythm as a Link between the Visual and the Acoustic

Esthir Lemi, Jan C. Schacher

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2011

The Doppler Effect in Warning Signals: Perceptual Investigations into Aversive Reactions Related to Pitch Changes

Clemens Kuhn-Rahloff, Martin Neukom, Mathias S. Oechslin

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2011

From Shared Presence to Hybrid Identity

Daniel Bisig, Tatsuo Unemi

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2011

Composing With Swarm Algorithms – Creating Interactive Audio-Visual Pieces Using Flocking Behaviour

Schacher, Jan C., Bisig, Daniel, Neukom, Martin

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2011

Applications of Synchronization in Sound Synthesis

Neukom, Martin

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2011

Flowspace – A Hybrid Ecosystem

Bisig, Daniel; Schacher, Jan C.

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2011

Traces – Body, Motion and Sound

Schacher, Jan C.

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2010

Cycles - Blending Natural and Artificial Properties in a Generative Artwork

Daniel Bisig, Tatsuo Unemi

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2010

Milieux Sonores

Marcus Maeder (Hg.)

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2010

Motion To Gesture To Sound: Mapping For Interactive Dance

Schacher, Jan C.

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2010

The Mobile Ambisonics Equipment

Färber, Peter; Kocher, Philippe

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2010

Seven Years Of ICST Ambisonics Tools For MaxMSP

Schacher, Jan C.

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2009

Ambisonics Einführung

Neukom, Martin

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2009

Towards an Interactive Multimedia Experience for Club Music and Dance

Majoe D, Kulka I, Schacher, J. C.

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2009

Swarms on Stage - Swarm Simulations for Dance Performance

Bisig, Daniel; Unemi, Tatsuo

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2009

A Stratified Approach For Sound Spatialization

Schacher, Jan C. et al.

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2009

Action and Perception in Interactive Sound Installations: An Ecological Approach

Schacher, Jan C.

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2009

midOSC: a gumstix-based MIDI-to-OSC converter

Schiesser, Sébastien

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2009

Milieux Sonores

Maeder, Marcus

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2009

Tempo Polyphony

Neukom, Martin

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2009

Ambisonics Equivalent Panning AEP

Neukom, Martin

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2008

Swarm Based Computer Music - Towards a Repertory of Strategies

Bisig, Daniel; Neukom, Martin

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2008

The Doppler Effect – an Evolutionary Critical Cue for the Perception of the Direction of Moving Sound Sources

Mathias Oechslin, Martin Neukom, Gerald Bennett

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2008

Interactive Swarm Orchestra - An Artificial Life Approach to Computer Music

Bisig, Daniel; Neukom, Martin; Flury, John

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2008

Ambisonics Equivalent Panning

Neukom, Martin; Schacher, Jan C.

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2008

Interactive Swarm Orchestra - A Generic Programming Environment for Swarm Based Computer Music

Bisig, Daniel; Neukom, Martin; Flury, John

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2008

davos soundscape, a location based interactive composition

Schacher, Jan C.

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2007

Identity SA - an interactive swarm-based animation with a deformed reflection

Unemi, Tatsuo; Bisig, Daniel

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2007

Interactive Swarm Orchestra

Bisig, Daniel; Neukom, Martin; Flury, John

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2007

Ambisonic Panning

Neukom, Martin

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2007

Computerunterstützte interaktive Gehörbildung

Kocher, Philippe

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2007

Immersion in Möglichen

Maeder, Marcus

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2007

Ich bin auch ein Label

Maeder, Marcus

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2007

Digital Sound Generation

Frei, Beat

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2007

Where's the Beat? Tools For Dynamic Tempo Calculations

Schacher, Jan C.; Neukom, Martin

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2007

Stereo oder Zweikanal: Eine kompositorische Anmerkung

Toro-Pérez, Germán

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2007

Raumklang mit Ambisonics in Max/MSP

Kocher, Philippe

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2007

Gesture Control of Sounds in 3D Space

Schacher, Jan C.

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2006

MediaFlies - A Video and Audio Remixing Multi Agent System

Bisig, Daniel; Unemi, Tatsuo

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2006

Flocking Messengers

Unemi, Tatsuo; Bisig, Daniel

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2006

Decoding Second Order Ambisonics to 5.1 Surround Systems

Neukom, Martin

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2006

Die Wunschmaschinen

Maeder, Marcus

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2006

Ambisonics Spatialization Tools for Max/MSP

Schacher, Jan C.; Kocher, Philippe

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2006

On making and playing an electronically-augmented saxophone

Schiesser, Sébastien; Traube, Caroline

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2006

MediaFlies - An Interactive Flocking Based Tool for the Remixing of Media

Bisig, Daniel; Unemi, Tatsuo

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2006

Celerina – A Generative Music System Using Aesthetical Reduction Applied to Simple Cellular Automata

Flury, John; Bisig, Daniel

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2005

Music by Interaction among Two Flocking Species and Human

Unemi, Tatsuo; Bisig, Daniel

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2005

Interviews mit B. Spoerri, Oval/M. Popp, J.-C. Risset

Maeder, Marcus

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2005

Was heisst hier Musik? – Zum Buch von Ulrich Mosch

Bennett, Gerald

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2004

Transient Travels

Maeder, Marcus; Schacher, Jan C.

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2004

Biosonics: Sensual Explorations of a Complex System

Bisig, Daniel

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2003

Signale, Systeme und Klangsynthese - Grundlagen der Computermusik

Neukom, Martin

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2003

Biosonics - Interactive Growth System

Bisig, Daniel

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2003

A marriage of the Director Musices program and the Conductor

Bennett, Gerald

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2009

Computermusik und Mathematik

Neukom, Martin

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1998

Interview With L. P. Hagen

Bennett, Gerald

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1997

Music since 1945 and Oral Culture

Bennett, Gerald

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1995

En réécoutant Boulez

Bennett, Gerald

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1995

En réécoutant Boulez

Bennett, Gerald

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1991

Den Klang komponieren - Notizen zur elektroakustischen Musik

Bennett, Gerald

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1990

Notes on Electroacoustic Music - In Musiques Electroniques

Bennett, Gerald

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1985

Simplicity and Complexity

Bennett, Gerald

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1985

Chaos, Self-Similarity, Musical Phrase and Form

Bennett, Gerald

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Publikationen 

Maeder, Marcus

Die Wunschmaschinen

Kategorie: Publikation
1. September 2006

Exposé für ein ambisonisches Hörspiel – ein Forschungsprojekt des ICST

Ein Surround- Hörspiel von Marcus Maeder

Nach Anti-Ödipus – Kapitalismus und Schizophrenie I

Von Gilles Deleuze und Félix Guattari

Für den Rundfunk und als akusmatische Uraufführung für 8 Lautsprecher in einem Kinosaal

Dateien:
expose_wunschmaschinen.pdf