Publications List

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2013

The Spatial Sound Description Interchange Format: Principles, Specification, and Examples

Nils Peters, Trond Lossius, Jan C. Schacher

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2013

The Quarterstaff, a Gestural Sensor Instrument

Jan C. Schacher

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2013

Hybrid Musicianship - Teaching Gestural Interaction with Traditional and Digital Instruments

Jan C. Schacher

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2013

Actuated Matter

Karmen Franinovic, Manuel Kretzer, Daniel Bisig et al.

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2012

STOCOS - Dance in a Synergistic Environment

Daniel Bisig, Pablo Palacio

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2012

Kunst und Künstliches Leben - zwischen Autonomie und Interaktion

Daniel Bisig

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2012

Tools and Abstractions for Swarm based Music and Art

Daniel Bisig, Philippe Kocher

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2012

SpatDIF: Principles, Specification, and Examples

Nils Peters, Trond Lossius, Jan C. Schacher

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2012

The Body in Electronic Music Performance

Jan C. Schacher

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2012

Rhythm as a Link between the Visual and the Acoustic

Esthir Lemi, Jan C. Schacher

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2011

The Doppler Effect in Warning Signals: Perceptual Investigations into Aversive Reactions Related to Pitch Changes

Clemens Kuhn-Rahloff, Martin Neukom, Mathias S. Oechslin

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2011

From Shared Presence to Hybrid Identity

Daniel Bisig, Tatsuo Unemi

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2011

Composing With Swarm Algorithms – Creating Interactive Audio-Visual Pieces Using Flocking Behaviour

Schacher, Jan C., Bisig, Daniel, Neukom, Martin

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2011

Applications of Synchronization in Sound Synthesis

Neukom, Martin

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2011

Flowspace – A Hybrid Ecosystem

Bisig, Daniel; Schacher, Jan C.

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2011

Traces – Body, Motion and Sound

Schacher, Jan C.

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2010

Cycles - Blending Natural and Artificial Properties in a Generative Artwork

Daniel Bisig, Tatsuo Unemi

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2010

Motion To Gesture To Sound: Mapping For Interactive Dance

Schacher, Jan C.

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2010

The Mobile Ambisonics Equipment

Färber, Peter; Kocher, Philippe

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2010

Seven Years Of ICST Ambisonics Tools For MaxMSP

Schacher, Jan C.

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2009

Towards an Interactive Multimedia Experience for Club Music and Dance

Majoe D, Kulka I, Schacher, J. C.

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2009

Swarms on Stage - Swarm Simulations for Dance Performance

Bisig, Daniel; Unemi, Tatsuo

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2009

A Stratified Approach For Sound Spatialization

Schacher, Jan C. et al.

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2009

Action and Perception in Interactive Sound Installations: An Ecological Approach

Schacher, Jan C.

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2009

midOSC: a gumstix-based MIDI-to-OSC converter

Schiesser, Sébastien

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2009

Ambisonics Equivalent Panning AEP

Neukom, Martin

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2008

Swarm Based Computer Music - Towards a Repertory of Strategies

Bisig, Daniel; Neukom, Martin

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2008

The Doppler Effect – an Evolutionary Critical Cue for the Perception of the Direction of Moving Sound Sources

Mathias Oechslin, Martin Neukom, Gerald Bennett

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2008

Interactive Swarm Orchestra - An Artificial Life Approach to Computer Music

Bisig, Daniel; Neukom, Martin; Flury, John

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2008

Ambisonics Equivalent Panning

Neukom, Martin; Schacher, Jan C.

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2008

Interactive Swarm Orchestra - A Generic Programming Environment for Swarm Based Computer Music

Bisig, Daniel; Neukom, Martin; Flury, John

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2008

davos soundscape, a location based interactive composition

Schacher, Jan C.

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2007

Identity SA - an interactive swarm-based animation with a deformed reflection

Unemi, Tatsuo; Bisig, Daniel

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2007

Interactive Swarm Orchestra

Bisig, Daniel; Neukom, Martin; Flury, John

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2007

Computerunterstützte interaktive Gehörbildung

Kocher, Philippe

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2007

Where's the Beat? Tools For Dynamic Tempo Calculations

Schacher, Jan C.; Neukom, Martin

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2007

Stereo oder Zweikanal: Eine kompositorische Anmerkung

Toro-Pérez, Germán

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2007

Raumklang mit Ambisonics in Max/MSP

Kocher, Philippe

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2007

Gesture Control of Sounds in 3D Space

Schacher, Jan C.

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2006

MediaFlies - A Video and Audio Remixing Multi Agent System

Bisig, Daniel; Unemi, Tatsuo

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2006

Flocking Messengers

Unemi, Tatsuo; Bisig, Daniel

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2006

Decoding Second Order Ambisonics to 5.1 Surround Systems

Neukom, Martin

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2006

Ambisonics Spatialization Tools for Max/MSP

Schacher, Jan C.; Kocher, Philippe

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2006

On making and playing an electronically-augmented saxophone

Schiesser, Sébastien; Traube, Caroline

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2006

MediaFlies - An Interactive Flocking Based Tool for the Remixing of Media

Bisig, Daniel; Unemi, Tatsuo

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2006

Celerina – A Generative Music System Using Aesthetical Reduction Applied to Simple Cellular Automata

Flury, John; Bisig, Daniel

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2005

Music by Interaction among Two Flocking Species and Human

Unemi, Tatsuo; Bisig, Daniel

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2005

Interviews mit B. Spoerri, Oval/M. Popp, J.-C. Risset

Maeder, Marcus

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2005

Was heisst hier Musik? – Zum Buch von Ulrich Mosch

Bennett, Gerald

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2004

Transient Travels

Maeder, Marcus; Schacher, Jan C.

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2004

Biosonics: Sensual Explorations of a Complex System

Bisig, Daniel

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2003

Signale, Systeme und Klangsynthese - Grundlagen der Computermusik

Neukom, Martin

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2003

Biosonics - Interactive Growth System

Bisig, Daniel

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2003

A marriage of the Director Musices program and the Conductor

Bennett, Gerald

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1999

Computer Music and Mathematics

Neukom, Martin

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1998

Music since 1945 and Oral Culture

Bennett, Gerald

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1995

Den Klang komponieren - Notizen zur elektroakustischen Musik

Bennett, Gerald

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1990

Notes on Electroacoustic Music - In Musiques Electroniques

Bennett, Gerald

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1985

Chaos, Self-Similarity, Musical Phrase and Form

Bennett, Gerald

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Publications

Toro-Pérez, Germán

Stereo oder Zweikanal: Eine kompositorische Anmerkung

Category: Publication

23. June 2007

Beitrag zum Symposium ‚Musik im Raum’, 23. Juni 2007 im ZKM, Karlsruhe

„Was uns als natürlich vorkommt, ist vermutlich nur das Gewöhnliche einer langen Gewohnheit, die das Ungewohnte, dem sie entsprungen, vergessen hat. Jenes Ungewohnte hat jedoch einst als ein Befremdendes den Menschen angefallen und hat das Denken zum Erstaunen gebracht.“

Martin Heidegger, aus Der Ursprung des Kunstwerkes

Files:: Stereo_oder_2Kanal_05.pdf

Publications List

Publications

Stereo oder Zweikanal: Eine kompositorische Anmerkung

Beitrag zum Symposium ‚Musik im Raum’, 23. Juni 2007 im ZKM, Karlsruhe

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